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Master Classes for VOICE

Lied | opera | operetta | oratorio | musical | cantatas

30.08.2020 - 05.09.2020


Rannveig Braga Rannveig Braga teaches at the Viennese “Universität für Musik und Darstellende Kunst”, at the “Institut für Gesang und Musiktheater” and at the “Institut Salieri–Gesang” (pedagogy). Invitations brought her abroad, e.g. in 2009 and 2011 to Taiwan to lead a masterclass at the Tunghai-university in the frame of the Tunghai Music Festival, and in 2010 to China (faculty of voice pedagogy of the Schenyang Conservatory). Born in Iceland, she studied solo, Lied, oratorio, opera and pedagogy at the Viennese Music university, achieved her diplomas with distinction and was awarded by the grade magistra artium and by the appreciation prize of the Austrian ministry of arts and science. Appearances on stage already during her study. Engagements at the Vienna Opera studio, at the Viennese State Opera (1987-1991), at the Salzburg Easter- and summer-festivals, at the Frankfurt Opera (1997-2000), as well as guest appearances in Belgium, France, Germany, Iceland and Austria (e.g. Rosina/Barbiere di Seviglia/Rossini, Cherubino/Nozze di Figaro)Mozart, composer/Ariadne/R. Strauss, Hänsel/Hänsel und Gretel/Humperdinck, Despina/Cosi fan tutte/Mozart). Her wide-ranging artistic activities feature thematic Lieder-performances, solo-appearances in oratorio-performances and involvements at numerous first-night performances and premières of music, some of what composed for her. Rannveig Braga has taken part at numerous CD-recordings, among others: “Die Frau ohne Schatten” (ML: Sir Georg Solti, Decca), “Salome” (ML: Christoph von Dohnanyi, Decca), “La Traviata” (Verlag Naxos). Her Lieder-CDs featuring Schubert, Schumann, Wolf and Grieg were nominated for the music prize “Best Icelandic classics CDs”. In 2000 the Icelandic president awarded her the “Ritterkreuz des isländischen Falkenordens” for outstanding artistic achievements. Voice

Brigitte Geller Brigitte Geller grew up in Switzerland. She studied flute and singing at the Musikhochschule Basel and completed both studies with a soloist diploma. Her further musical path led her from Basel via the Zurich International Opera Studio and the Theater der Stadt Heidelberg to Berlin to the Komische Oper, with detours to Great Britain, France, Italy, Greece, China, and now to the Landestheater Linz. She has worked with conductors such as Bertram de Billy, Marcus Creed, Paul McCreesh, Sir John Eliot Gardiner, Eliahu Inbal, Philippe Jordan, Ton Koopmann, Jakov Kreizberg, Kirill Petrenko, Markus Poschner, Nello Santi, and has developed a strong stage presence working with Ruth Berghaus, Stefan Herheim, Andreas Homoki, Peter Konwitschny, Barrie Kosky, Harry Kupfer and Hans Neuenfels. In addition to opera, she has been active as a concert and lieder singer since her studies. Formerly a light lyrical soprano with roles such as Susanna, Pamina, Sophie, Zdenka, Füchslein, Gretel, Brigitte Geller has turned in recent years to the more dramatic subject with roles such as Poppea, Contessa (Nozze di Figaro), Konstanze, Fiordilligi, Donna Anna and Traviata. Since September 2017 she has been singing parts of the youthfully dramatic repertoire at the Landestheater in Linz, such as the Empress in "Die Frau ohne Schatten"; by Richard Strauss, Chrysothemis in "Elektra"; and Cherubini's "Médée";. These diverse experiences enable her to convey valuable ideas far beyond purely musical interpretation. Brigitte Geller teaches at the Universität der Künste in Berlin and regularly gives master classes. Voice

Bernhard Landauer Bernhard Landauer has appeared in productions by Brigitte Fassbaender, Achim Freyer and Harry Kupfer at the Berlin State Opera, at the Bregenz Festival, at the Aalto-theatre in Essen, at the Frankfurt Opera House, at the Innsbruck Festival Weeks, at the Schwetzingen-Festival and at the Viennese Staatsoper and Volksoper. His partners were Thomas Hengelbrock, René Jacobs, Robert King, Bernhard Kontarsky, Ton Koopman and Mstislaw Rostropowitsch. His list of repertoire features ancient music, Lieder of the romantic era, as far as to first performances of works by Richard Dünser, Alfred Schnittke, John White and Simon Wills. Since many years he is thoroughly devoted to respiration technique, physical and mental training in cooperation with (among others) Renate Schulze-Schindler ("Institut für bipolare Atem-, Körper- und Stimmarbeit", Berlin) and Franz Pissinger (Research Centre for Hypnosis, Vienna). Between 1998 and 2004 he was a teacher at the Viennese Conservatory. 2006-2016 he received a training in Craniosacral Work at the Milne Institute (USA). Voice

Alexander Josef Mayr Alexander Josef Mayr teaches voice at the Viennese Music University and leads a class for solo voice at the Joseph Haydn Konservatorium in Eisenstadt. Besides a study in history and german philology he startet voice education at the private university Konservatorium Wien, and afterwards at the Viennese music university solo voice and voice educational theory, which was most successfully completed with main emphasis in Lied, oratorio, opera and pedagogy. A scholarship enabled him studying at the Royal College of Music in London, Masterclasses with Emma Kirkby, Michael Chance, Kurt Widmer, Wolfgang Holzmayr and Helena Lazarska supported his musical education. During his studies he already worked with several important groups, such as the choir of the Vienna State Opera, and the Arnold Schoenberg choir where he also had his first experiences as a soloist. In the meantime he appears as bass-soloist under the direction of Nikolaus Harnoncourt, Erwin Ortner, Martin Haselböck, René Clemencic, and together with orchestras such as the Viennese Concentus Musicus and the Vienna Philharmonic Orchstra, at festivals such as the “Styriarte”/Graz, the Salzburg Festival, the Viennese Festival, the Haydn-Festival Eisenstadt and the Carinthian Summer. Alexander Josef Mayr commands a broad repertoire from the 16th century to actual contemporary music, and often extending the classical repertoire. He developed a particular affinity for Lied-singing, confirmed by successful Lieder-recitals in Austria and abroad. Many music compositions written for his voice also confirm his great interest in the contemporary music. Voice

Christoph Strehl In 2013 the German Tenor Christoph Strehl became Professor at the University Mozarteum Salzburg. He was born in Lübeck in 1968 and studied with Soto Papulkas at the Folkwang Hochschule Essen and later with Silvana Bazzoni Bartoli in Zürich. He attended Masterclasses with Axel Bauni, Norman Shettler, Josef Metternich, Gianni Raimondi and Claude Thiolas. In 2002 he became a member of the Opernhaus Zürich, where he remained for nine years. After his debut as Don Ottavio at the Salzburg Festival with Nikolaus Harnoncourt, an international career began as a leading Mozart-Tenor, which led him, among others, to the opera houses of Vienna, Munich, Hamburg, London, Amsterdam, Barcelona, Geneva and New York (MET), as well as to the festivals of Aix-en-Provence,  Lucerne and the Wiener Festwochen. He sung the role of Tamino in Claudio Abbado´s recording of the Magic Flute. As Lieder singer he performed with Helmut Deutsch at the Schubertiade Schwarzenberg, in Zürich, Cologne and Amsterdam. In the meantime he has extended his repertoire to include roles such as Rodolfo, Don José, Schuiskj and Pollione alongside Cecilia Bartoli at Monte Carlo Opera House in February 2016. Voice

Rainer Trost coming soon... Voice

Martin Vacha Martin Vácha, was born in Wiener Neustadt, musical secondary school, studies: Pedagogy and Vocal Performance, culture management in Hamburg, Doctor of Philosophy with a dissertation about the singer’s profession, completed all studies with honours; courses: operetta, church music/organ and further education for adults; attended master classes of Prof. Cornelius Reid and Prof. Noelle Turner (musical); private lessons with Prof. Helga Meyer-Wagner. First engagements: Volksoper Vienna, Salzburger Festspiele; currently works as a soloist in the branch of oratory, Lied and church music) – e.g. „Lieder aus Wien“ (Wellesz) with pianist Margarete Babinsky in the concert hall Berlin (German broadcast), "Die schöne Magelone" (Brahms) with pianist Nina Paul, several performances of the "Reisebuch aus den österreichischen Alpen" (Krenek) with pianist Ines Schüttengruber, baritone solo in "Carmina Burana" (Orff), bass solo in "The Messiah" (Händel) in the Golden Hall of the Vienna Music Society; baritone solo ("Deutsches Requiem" by Brahms in the Vienna concert hall. Several performances in opera, operettas (e.g. the hawk in "Die Fledermaus") and musicals. Teaching activity: voice – music schools in Lower Austria; since 2002 lecturer at the University of Music and Performing Arts Vienna; Departement of Voice and Musical Theatre, 2014: post-doctoral qualification (Habilitation), Professor, member of the senate; until 2014: Vienna Conservatory (Department Solo and Musical), also pedagogical subjects, master classes in Austria and Japan, jury member of various competitions; vice president of the European Voice Teachers Association (EVTA); research about the singers‘ training and the artistic vocational field; experience as a manager: for instance in 2012 – led own agency and the master classes Gutenstein; until 2014: helped to found the Private University for Music and Performing Arts Vienna; lecturer i.e. at the Donau-University Krems. Trainer and book author, Ludo-Hartmann-Förderungspreis 2009. Voice

Claudia Visca Claudia Visca was a professor for voice at the Hochschule für Musik, Cologne between 2000 and 2003, and since 2002 she is a professor at the Viennese 'Universität für Musik und Darstellende Kunst', institute for voice and music theatre. She also regularly directs international master classes for voice and interpretation and acts also as a jury member at international competitions. Her students are prize-winners of many competitions and they are engaged at well-known opera houses. Her 26-year's career saw her at more than 25 opera houses, among others in Amsterdam, Berlin, Cologne, Geneva, Munich, Vienna and Zurich. She embodied 75 roles in operas, operettas and musicals in about 2000 performances. In her career and also in numerous chamber music concerts she has appeared together with Leonard Bernstein, Eugene Ormandy, Isvan Kertesz, Rudolf Serkin, Yo Yo Ma, with members of the Guaneri Quartet, Sandor Vegh, Bruno Canino, Sarvatore Accardo, with the Rom String Quartet, with Jean-Pierre Rampal, Jose Carreras and Placido Domingo. Born in New York she finished her studies at the Curtis Institute in Philadelphia. A Fulbright scholarship brought her to the Viennese 'Hochschule für Musik und darstellende Kunst', where she studied with Hilde Rössel-Majdan and Anton Dermota. Voice


Class starts on: 30.08.2020, 18:00
Arrival after: 30.08.2020, 15:00
Final Concert: 05.09.2020, 11:00
Class ends on: 05.09.2020, 14:00
Deadline: 15.06.2020

The master classes for singers offers individual participants as well as existing piano-chant - ensembles  the possibility to prepare intensively concert recitals, contests, auditions or exams or just to prepare a program of free choice.

Students, professional singers as well as teachers, who lack time and possibility during the school year for making music, have the possibility to work together for a week in the magic ambience of castle Zell an der Pram and to exchange experiences.

Individual technical, musical and methodical-didactic support for singers will represent the further focuses of these master classes.

Following obligations are offered and contained in the fee
Daily ca. 45 minutes resp. 90 minutes individual lessons, piano coach, free use of piano instruments and of the practising premises, internal class-concerts resp. workshop-concerts, a public final concert admission free for participants and visitors, all classes open for listeners. All participants will receive a diploma of participation. Free use of the WLAN.

Free choice of program from the international repertoire of Lied, cantata, oratorio, opera, operetta and musical.

Thecourses focus on basis of technique, vocal training, control of respiration, part writing, use of voices, training of pronunciation, quality of correct exercises, and particularly for singing teachers "Methodology and didactics of vocal instruction".
Expansion of musical power of expression and promotion of the musical personality will help to find ways to independent interpretation. Coping with stress and fear of performance, among others, through mental training by playing in front of the group during lessons and in the workshop concert.

Theprogram of the Master Class with Bernhard Landauer is beside the normal repertoire also the interpretation of Baroque music, phrasing, text interpretation in Recitative and Aria, ornaments and cadenzas.

Please take with you all your scores with the piano parts.

Invited are
Mainly students of Music Universities and Music Conservatories and as well as professional Singers and Singing Teachers

Young Singing Students from Pre-Colleges and Preparatory Classes at universities, Conservatories and Colleges to prepare an entrance examen in regular studies

Semiprofessional Singers who are willing to engage in working according to professional criteria are invited in a limited extent

The courses are open to participants aged 16 and over. Exceptions are possible in consultation with the course management

CastleZell an der Pram in Upper Austria.
The class starts at 6 p.m. with a "meet & greet" in the Entrance Hall.

The class ends after the public concert in the Freskensaal of the castle.

Late applications will be considered if possible, but due to high demand and limited space, we encourage you to get your application in on time.

Closing Concerts
The workshop concerts and the official closing concert are in the Freskensaal of the castle Zell an der Pram. The participants will be selected by the professors.
Leisure-Time Activities
There are sports grounds, a swimming-bath and a gym for ball-games, table tennis, etc. You will certainly have time for a trip to explore the surroundings of Zell an der Pram.

take also part in the Seminar Seminar "Body & Voice" with Bernhard Landauer.